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June 21, 1921
Sunnyside, Queens, New York City, U.S.
|Died||June 7, 1965 (aged 43)|
New York City, U.S.
(m. 1948; div. 1958)
Judy Holliday (born Judith Tuvim, June 21, 1921 – June 7, 1965) was an American actress, comedian and singer.
She began her career as part of a nightclub act before working in Broadway plays and musicals. Her success as Billie Dawn in the 1946 stage production of Born Yesterday led to her being cast in the 1950 film version for which she won an Academy Award for Best Actress and a Golden Globe Award for Best Actress – Motion Picture Musical or Comedy. She was known for her performance on Broadway in the musical Bells Are Ringing, winning a Tony Award for Best Performance by a Leading Actress in a Musical and reprising her role in the 1960 film adaptation.
Holliday was born Judith Tuvim (Hebrew: tovim means good, Yiddish: toyvim means good) in New York City. She was the only child of Abe and Helen (née Gollomb) Tuvim. Her father served as the executive director of the foundation for the Jewish National Fund of America (1951–1958). Her mother taught piano and was of Russian-Jewish descent like her father. She grew up in Sunnyside, Queens, New York, and graduated from Julia Richman High School in Manhattan. Her first job was as an assistant switchboard operator at the Mercury Theatre, which was administered by Orson Welles and John Houseman.
Holliday began her show business career in 1938 as part of a nightclub act called The Revuers. The other members of the group were Betty Comden, Adolph Green, Alvin Hammer, John Frank, and Esther Cohen. The Revuers played engagements in New York night clubs including the Village Vanguard, Spivy's Roof, the Blue Angel, and the Rainbow Room, and the Trocadero in Hollywood, California. Leonard Bernstein, a friend of the group who shared an apartment with Green, occasionally provided piano accompaniment for the group's performances. The Revuers filmed a scene for the 1944 Carmen Miranda film Greenwich Village. Although its scene was cut, Holliday was an unbilled extra in another scene. The group disbanded in early 1944. Holliday remembered her years in the Revuers as unpleasant, saying she was initially a bad actress and so shy that she vomited between shows. She found it difficult to perform on stage in smoke-filled rooms while patrons over-imbibed, heckled and fought with each other, but deemed entertainers successful if they persevered in such atmospheres.
Holliday made her Broadway debut on March 20, 1945 at the Belasco Theatre in Kiss Them for Me and was one of the recipients that year of the Clarence Derwent Award for Most Promising Female Actress.
In 1946, she returned to Broadway as the scatterbrained Billie Dawn in Born Yesterday. Author Garson Kanin wrote the play for Jean Arthur, who played the role of Billie but left out-of-town for personal reasons. Kanin then selected Holliday, two decades Arthur's junior, as her replacement. In his book Tracy and Hepburn (1971), Kanin mentions that when Columbia bought the rights to the film Born Yesterday, studio boss Harry Cohn would not consider casting the Hollywood-unknown. Kanin, along with George Cukor, Spencer Tracy, and Katharine Hepburn conspired to promote Holliday by offering her a key part in the film Adam's Rib (1949).
She received rave reviews for her performance in Born Yesterday on Broadway, and Cohn offered her the chance to repeat her role for the film version, but only after she did a screen test (which at first was used only as a "benchmark against which to evaluate" other actresses being considered for the role). She won the first Golden Globe Award for Best Actress – Motion Picture Musical or Comedy and at the 23rd Academy Awards, Holliday won the Academy Award for Best Actress, defeating Gloria Swanson, nominated for Sunset Boulevard, Eleanor Parker, for Caged, and Bette Davis and Anne Baxter, both for All About Eve.
Film historian Bernard Dick summed up Holliday's acting: "Perhaps the most important aspect of the Judy Holliday persona, both in variations of Billie Dawn and in her roles as housewife, is her vulnerability...her ability to shift her mood quickly from comic to serious is one of her greatest technical gifts." Director George Cukor also observed that Holliday had "that depth of emotion, that unexpectedly touching emotion, that thing which would unexpectedly touch your heart."
Investigated for Communism
In 1950, Holliday's name appeared on a list of 151 "pro-Communist" artists in the conservative publication Red Channels: The Report of Communist Influence in Radio and TV. The next year, she was subpoenaed by Senator Pat McCarran's Senate Internal Security Subcommittee, which was investigating subversion and Communist activity in the entertainment industry. She appeared before the committee on March 26, 1952, with Simon H. Rifkind as her legal counsel.
Holliday was advised to play dumb, as in her film portrayal of Billie Dawn, and she did – often to comedic effect. Holliday later wrote of the experience to her friend Heywood Hale Broun: "Woodie, maybe you're ashamed of me, because I played Billie Dawn ... But I'm not ashamed of myself, because I didn't name names. That much I preserved." The investigation "did not reveal positive evidence of any membership in the Communist Party" and was concluded after three months, unlike many others tainted by the anti-Communist investigation.
She starred in the film version of The Solid Gold Cadillac, which was released in August 1956. In November 1956, Holliday returned to Broadway starring in the musical Bells Are Ringing with book and lyrics by her Revuers friends, Betty Comden and Adolph Green, and directed by Jerome Robbins. In 1957, she won the Tony Award for Best Leading Actress in a Musical. Of her performance in the stage musical Brooks Atkinson wrote in The New York Times:
Nothing has happened to the shrill little moll whom the town loved in Born Yesterday. The squeaky voice, the embarrassed giggle, the brassy naivete, the dimples, the teeter-totter walk fortunately remain unimpaired ... Miss Holliday now adds a trunk-full of song-and-dance routines...Without losing any of that doll-like personality, she is now singing music by Jule Styne and dancing numbers composed by Jerome Robbins and Bob Fosse. She has gusto enough to triumph in every kind of music hall antic.
Returning to her film career after a gap of several years, she starred in the film version of Bells Are Ringing (1960), her last film.
In October 1960, Holliday started out-of-town tryouts on the play Laurette based on the life of Laurette Taylor. The show was directed by José Quintero with background music by Elmer Bernstein and produced by Alan Pakula. When Holliday became ill and had to leave the show, it closed in Philadelphia without opening on Broadway.
She had surgery for a throat tumor shortly after leaving the production in October 1960. Her last role was in the stage musical Hot Spot, co-starring newcomers such as Joseph Campanella and Mary Louise Wilson, which closed after 43 performances on May 25, 1963.
Personal life and death
In 1948 Holliday married clarinetist David Oppenheim, who was later a classical music and television producer and academic. The couple had one child, Jonathan, before they divorced in 1958. She had a long-term relationship with jazz musician Gerry Mulligan.
Holliday died on June 7, 1965, at Manhattan's Mount Sinai Hospital from throat cancer. She was interred in the Westchester Hills Cemetery in Hastings-on-Hudson, New York. Five years prior to her death, she was awarded a star on the Hollywood Walk of Fame at 6901 Hollywood Boulevard in Los Angeles.
|6/13/48||Ford Theater||My Sister Eileen||w/ Shirley Booth & Virginia Gilmore|
|1/21/51||The Big Show||n/a||w/ Fred Allen & Eddie Cantor|
|2/4/51||The Big Show||n/a||w/ Fred Allen & Robert Cummings|
|2/25/51||The Big Show||n/a||w/ Tallulah Bankhead & Jack Haley|
|3/25/51||The Big Show||n/a||w/ Jimmy Durante & Carmen Miranda|
|3/30/51||Hear It Now||The Human Tick||w/ Edward R. Murrow (host)|
|4/1/51||The Big Show||n/a||w/ Groucho Marx & Bob Hope|
|4/22/51||The Big Show||n/a||w/ Tallulah Bankhead & Fred Allen|
|1/2/57||Ladies Night||w/ The Revuers (from 1940)|
|1942||with The Revuers|
|1945||Kiss Them for Me||Alice|
|1946||Born Yesterday||Billie Dawn|
|1951||Dream Girl||Georgina Allerton|
|1956||Bells Are Ringing||Ella Peterson||Tony Award for Best Performance by a Leading Actress in a Musical|
|1960||Laurette Taylor||Closed out-of-town|
|1963||Hot Spot||Sally Hopwinder|
Holliday recorded two studio albums (not including her film and Broadway soundtracks) during her lifetime.
- Obituary Variety, June 9, 1965, p. 71.
- "Abe Tuvim; Zionist Official,. Dies at 64; Executive Director of Fund Foundation" (PDF). The New York Times. 16 January 1958. Retrieved 24 December 2014.
- 1940 United States Federal Census
- Dash, Irene G. "Judy Holliday (1921–1965)". Jewish Women's Archive - Encyclopedia. Retrieved 24 December 2014.
- "Helen Tuvim - United States Census, 1940". FamilySearch. Retrieved 24 December 2014.
- "Judy Holiday, 42, Is Dead of Cancer", The New York Times, June 8, 1965, p. 1
- "Judy Holliday (1921–1965) Biography" Archived 2010-03-05 at the Wayback Machine, Jewish Women's Archive (jwa.org), retrieved February 21, 2010
- "Judy Holliday Biography", Turner Classic Movies (tcm.com), retrieved February 21, 2010
- Sargeant, Winthrop."Judy Holliday", Life Magazine, April 2, 1951.
- Dudar, Helen. "The Post Presents the Judy Holliday Story." New York Post, 11 December 1956.
- "Kiss Them For Me Internet Broadway Database listing" ibdb.com, retrieved February 21, 2010; accessed 10 June 2014.
- "Born Yesterday Internet Broadway Database listing", ibdb.com, retrieved February 21, 2010
- Bill Crow. From Birdland to Broadway: Scenes from a Jazz Life (Oxford University Press, 1992), p. 185.
- "Top winners from 1950"[dead link], Chicago Tribune, retrieved February 21, 2010; accessed June 10, 2014.
- Dick, Bernard F. Columbia Pictures: Portrait of A Studio (1992). University Press of Kentucky; ISBN 0-8131-1769-0, pp. 135–136.
- Sicherman, Barbara and Green, Carol Hurd. Notable American Women: The Modern Period (1980). Harvard University Press; ISBN 0-674-62733-4, p. 349
- Barranger, Milly S. (2008). "Billie Dawn Goes to Washington: Judy Holliday". Unfriendly Witnesses: Gender, Theater, and Film in the McCarthy Era. Southern Illinois University Press. pp. 9–33.
- Profile, thesmartset.com; accessed June 10, 2014.
- Stephen R. Duncan, "Judy Holliday, the Red Scare, and the (Miss-) Uses of Hollywood's Dumb Blonde Image." in Laura Mattoon D'Amor, ed. Smart Chicks on Screen: Representing Women's Intellect in Film and Television (2014) pp. 9–28 online
- Bells Are Ringing listing, ibdb.com, retrieved February 21, 2010.
- Atkinson, Brooks. "Theater: 'Bells Are Ringing' for Judy Holliday", The New York Times, November 30, 1956, p. 18
- "Judy Holliday Faces Surgery", The New York Times, October 12, 1960, p. 44
- "Laurette: Music from the play", kritzerland.com, retrieved February 22, 2010.
- Hot Spot listing, Internet Broadway Database; retrieved February 22, 2010.
- “Judy Holliday”, biography, Turner Classic Movies (TCM). Retrieved March 3, 2018.
- "Judy Holliday – Hollywood Walk of Fame". WalkofFame.com. Retrieved January 14, 2017.
Inducted to the Walk of Fame on February 8, 1960 with 1 star.
- Motion Picture and Television Magazine, November 1952, page 33, Ideal Publishers.
- "Judy Holliday Broadway credits", ibdb.com, retrieved February 21, 2010