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- For other people with a similar name see Lawrence Friedman (disambiguation)
Bud Freeman, New York City, 1947
|Born||April 13, 1906|
Chicago, Illinois, U.S
|Died||March 15, 1991 (aged 84)|
C melody saxophone
|Years active||1920s – 1980s|
Lawrence "Bud" Freeman (April 13, 1906 – March 15, 1991) was an American jazz musician, bandleader, and composer, known mainly for playing the tenor saxophone, but also able at the clarinet. He had a smooth and full tenor sax style with a heavy robust swing. He was one of the most influential and important jazz tenor saxophonists of the big band era. His major recordings were "The Eel", "Tillie's Downtown Now", "Crazeology", "The Buzzard", and "After Awhile", composed with Benny Goodman.
Freeman was born on April 13, 1906, in Chicago. In 1922, he and some friends from high school formed a jazz group, the Austin High School Gang, Freeman played the C melody saxophone alongside his other band members such as Jimmy McPartland and Frank Teschemacher before switching to tenor saxophone two years later. Influenced by artists like the New Orleans Rhythm Kings and Louis Armstrong from the South, they would begin to formulate their own style, becoming part of the emerging Chicago Style of jazz. While Armstrong was in King Oliver's Creole Jazz Band, Freeman would attend performances at Lincoln Gardens with McPartland. Once he became a regular at Lincoln Gardens "to get lessons," Freeman and his white counterparts were nicknamed "Alligators."
In 1927, he moved to New York, where he worked as a session musician and band member with Red Nichols, Roger Wolfe Kahn, Ben Pollack, Joe Venuti, among others. One of his most notable performances was a solo on Eddie Condon's 1933 recording, The Eel, which then became Freeman's nickname (for his long snake-like improvisations). Freeman played with Tommy Dorsey's Orchestra (1936–1938) as well as for a short time Benny Goodman's band in 1938 before forming his own band, the (1939–1940). Freeman joined the US Army during World War II, and headed a US Army band in the Aleutian Islands.
Following the war, Freeman returned to New York and led his own groups, yet still kept a close tie to the freewheeling bands of Eddie Condon as well as working in 'mainstream' groups with the likes of Buck Clayton, Ruby Braff, Vic Dickenson and Jo Jones. In 1960, wrote the book and lyrics (music by Leon Pober) to the Broadway musical Beg, Borrow or Steal which featured the ballad "Zen Is When", later recorded by the Dave Brubeck Quartet on Jazz Impressions of Japan (1964). He was a member of the World's Greatest Jazz Band in 1969 and 1970, and occasionally thereafter. In 1974, he moved to England where he made numerous recordings and performances, as he did also in Europe.
Later in the decade Freeman spent some time on the Isle of Man during part of which he was the guest of well known Manx jazz musician and broadcaster, Jim Caine. Recounted as a keen devotee of the game Scrabble, as well as a fervent Anglophile, this resulted in Freeman having a nickname bestowed on him by the Caine family, becoming known as the "Anglo Saxophonist."
In addition to this, Freeman presented one of his coats to a son of Jim Caine. Still in the possession of the Caine family, the garment is referred to with affection as the "Bud Coat."
Returning to Chicago in 1980, he continued to work into his eighties.
He also released two memoirs (1974) and (1976), and wrote an autobiography with Robert Wolf, (1989).
In 1992, Bud Freeman was inducted into the Big Band and Jazz Hall of Fame. He was featured in Studs Terkel's book, "Working", published in 1972.
Bud Freeman died March 15, 1991, at the Warren Barr Pavilion, a nursing home in his native Chicago. He was 84 years old. His death came just days after death of fellow Austin High School Gang musician trumpeter Jimmy McPartland, who died on March 13, 1991. Freeman was preceded in death by his younger brother actor Arny Freeman, and was survived by a sister, Florence Charles of Los Angeles, CA.
- Comes Jazz (Columbia, 1950)
- Battle of Jazz, Vol. 1 (Brunswick, 1953)
- Bud Freeman and the Chicagoans (Paramount, 1954)
- Test of Time (Bethlehem, 1955)
- Bud Freeman (Bethlehem, 1955)
- Midnight at Eddie Condon's (Emarcy, 1955)
- Jazz: Chicago Style (Columbia, 1955)
- Bud Freeman and His All-Star Jazz (Harmony, 1957)
- Chicago/Austin High School Jazz in Hi-Fi (BMG Ariola, 1957)
- Bud Freeman & His Summa Cum Laude Trio (Dot, 1958)
- The Bud Freeman All-Stars featuring Shorty Baker (Swingville, 1960) with Shorty Baker
- Midnight Session (Dot, 1960) with Mary Mulligan
- Summer Concert 1960 (Jazz Archives, 1960)
- Something to Remember You By (Black Lion, 1962)
- Chicago (Black Lion, 1962)
- Something Tender (United Artists, 1963)
- The Compleat Bud Freeman (Monmouth, 1970)
- The Joy of Sax (Chiaroscuro, 1974)
- Jazz Meeting in Holland (Circle, 1975)
- Song of the Tenor (Philips, 1975)
- Two Beautiful (Circle, 1976)
- Bucky and Bud (Flying Dutchman, 1976)
- Live in Harlem (Cat, 1978)
- California Session (Jazzology, 1982)
- The Real Bud Freeman (1984) (Principally Jazz, 1985)
- Superbud (Jazzology, 1992)
- The Big Challenge (Jazztone, 1957)
With George Wein
- Newport Jazz Festival All Stars (Atlantic, 1959 ) with Buck Clayton, Pee Wee Russell, Vic Dickenson, Champ Jones and Jake Hanna
- George Wein & the Newport All-Stars (Impulse!, 1962)
- Biography, AllMusic
- Brothers, Thomas (2014). Louis Armstrong: Master of Modernism. New York, NY: W.W. Norton & Company. p. 33. ISBN 978-0-393-06582-4.
- Brothers, Thomas (2014). Louis Armstrong: Master of Modernism. New York, NY: W.W. Norton & Company. pp. 35–36. ISBN 978-0-393-06582-4.
- "Beg, Borrow or Steal – Broadway Musical – Original". IBDb.com. Retrieved January 26, 2020.
- [permanent dead link]
- "Bud Freeman | Album Discography | AllMusic". AllMusic. Retrieved 4 January 2017.